Friday, April 26, 2013

Project World Tree: Further Discourse

Oh, Diana, you are such a kidder! I have no experience introducing biological agents to specific ethnic groups. None... unless you count teenage Sebiestor boys; but who does, I mean, really?

For these mushrooms, rock and pressure serve as bread and water; radioactives, their cupcakes. Organics provide no succor; and consequently, face little threat. Moreover, one notable characteristic of radiodurans such as my Titanicus Tekojarvii is extreme resistance to mutation. They maintain numerous copies of their genetic signatures, and correct errors with tireless efficiency. Quite Caldari, now that I think of it! Anyway, my technicolor mushrooms will not suddenly become ambulatory predators a hundred meters tall consuming screaming human populations by the tens of thousands.

And Schere, darling, your mastery of tone is amazing.

You have it exactly right: these are not tasty truffles. Preventing consumption - accidental or otherwise - was a primary design requirement. They are hard as rock and not even as tasty.

Yes, for the first few years, handle with care. The colony's nutrient pathways are complex capillaries filled with a viscous goo not unlike weak battery acid. Tiny T. Tekojarvii wiggle through this goo until secreted in the presence of silicates, metals and other such things. The T. Tekojarvii bind to toxic metals; fungal filaments bind to T. Tekojarvii and reabsorb them. Goo capillaries transport the radiodurans deep into the colony. And by deep, I do mean deep - even for me. The magnificent shattered world lithotrophs go down for miles: think of a titanic jellyfish floating just beneath the surface.

Given the abundance of oxidized tritanium and heavy metal dust currently scattered to and fro, the fungus and its bacterial partners shall remain in excited states for quite some time. Consequently, the nutrient pathways are stuffed with cupcakes and best avoided.

The extraordinary energy provided by these cupcakes will power rapid emergence of towering toadstools described earlier (minus the ambulatory predator part, of course). These will produce spores that consist of leafy sails attached to small pellets. Dropped from a hundred meters, they will travel far and wide on Caldari Prime's mighty breezes. The pellets do not contain cupcakes or other toxins. They are in fact intended to be carried within the digestive systems of migratory animal populations without causing harm. Now, I'm sure this or that passing Sebiestor teenager might put several in his mouth...

Sweetie, drop it. Drop it. Drop. It. Who is a good boy? Drop it. Good boy! Here's a treat.

...but they'll just provide a little roughage and pass right through!

As the oxidized tritanium and heavy metal dust grows more scarce, the fungal colony will become more passive. It will then derive the majority of its energy from seismic pressures acting upon its toxic reservoirs. Growth will slow, nutrient pathways will cool, and indigenous lifeforms will enjoy an ecosystem resembling an enormous forest of petrified mushrooms that exhibit interesting electromagnetic and thermal properties.

"In A Thousand Years," Caldari Prime's will be the most unique biosphere in known space: a fitting legacy for Amsten, Lord On The Shores of Great Frozen Tekojarvi.

Lij-Taisaan mydiku hakiit hovatiiru yn waruhataashe!

Wednesday, April 24, 2013

Project World Tree: Of Mushrooms and Dead Men

[CALDARI PRIME. The sun rolls, burning, across a distant horizon. Its dying light stains bellies of massed clouds dull crimson. Enormous, ambiguously cybernetic hounds race across jagged tundra. The Crone, her cylindrical kameira, and the pot-bellied Ealurian shift on a wooden sled. Camera drones skitter above and beyond. The hounds skirt a rime-covered dolomite, and then descend a ramp cut by heavy machinery into the garish tundra.

Down, down, to the ancient filth of Great Tekojarvi they howl.

Deteis with flawless blond crew cuts extract sliced cubes of frozen muck from the walls of the pit; others manipulate samples of bone and decay carefully freed from the blocks. All bob their heads to ephemeral sounds of distant calisthenic chanting.

The Crone and her retinue step briskly across brittle slurry. Robed figures study microbes vibrating in holographic projection. Dr. Straz beams with pleasure.]

"The lithotrophs extracted from Ms. Ma'chello's shattered terrestrial world excel in this new application," he insists. "Freed from previously unattainable depths - by unimaginable forces - they once feasted upon the ruin of their home; here, they shall serve as the nerve sheaths of our great trees."

They isolate the radiodurans well, then?

"Yes, madam! With aplomb."

Deriving energy from emissions?

"Beyond all expectations."

And the piezotrophs?

"A fine, muscular flesh for our lumbering behemoths."

[The pot-bellied Ealurian raises his arms to the smoldering sky.]

Excellent, Doctor! You are a gentleman and a bloody scholar.

"Madam is too kind."

Our Brutor has delivered many permeable membrane samples from Araz. We will bring them to the surface as we are able, along with the hazmat sensors and robotics. I trust initial mycoremediation proceeds apace?

"Yes, madam," insists an enigmatically robed technician. "This way."

[The technician leads the Crone, her cylindrical kameira, and the pot-bellied Ealurian to an opening in the icewall. They enter a low corridor of frozen muck, dimly illuminated, and proceed some distance into the darkness. Eventually, they stop before a glass barrier. Beyond, fungal fibers twist and snake through dirt and grey ice.]

"Mutations of the Anoikis autotrophs," explains the technician. "They thrive in this more hospitable environment."

Hospitable!

"For some value, madam."

Grow little mushrooms! Grow! Gobble the nasty and build your great, living barrow! In a thousand years, our Gaia will bloom from the frozen depths of this poisoned hell. Maybe we'll even beat Tibby to the Utopian punch bowl. Look at the bones, Straz! Great herbivores and sacrificial muffins, the ancient Caldari here used treacherous terrain for spiritual and material profit. Somewhere in all of this we might yet find an Etee or Amsten.

Well-preserved, he might even produce an heir. From an ancient grave to the brilliant future!

"To the future, madam!"

Lij-Taisaan mydiku hakiit hnolkuiskki yn kienjazkaan!

[The Crone places a hand on cold glass; mushrooms spread through dark places.]

Tuesday, April 2, 2013

Project World Tree: Xenobiological Remediation of Caldari Prime

[CALDARI PRIME. Maintenance drones scurry back and forth across the transparent ecodome of Temperate Command Center LUOSTARI-JO GOGOMO External Exercise Platform Three, checking to ensure that vents properly manage snow accumulation and ice encrustation. Below, cadres of stoic employees wait patriotically for twelve long torso choir boys to finish the State anthem. Deteis with immaculate, identical blond crew cuts lead units of co-workers through calisthenics, chanting "Go Go Go.. GO-GO-MO" in flawless unison.

Inside a command center of brushed steel and gold filigree, astute Deteis with immaculate, identical blond crew cuts monitor logistics and security feeds, tilting their heads in perfect unison to the calisthenic chants. In the corner of one gigantic holo projection, pot-bellied Ealurian Dr. Mheket Straz huffs and puffs down corridors of brushed steel and gold filigree, opening and closing a secure portal with tremendous eagerness.

He enters a chamber of giant ceramic oyster-shaped baths and... gold filigree.

Water cascades from upper baths into lower ones. Virile lycanthropic Sebiestor underwear models flow through prana bindu poses while Ni-Kunni therapists rub them with oil and paint their toenails with meticulous ecclesiastical patterns.]

"Madam!"

[The crone waves from a central bath.]

Mhekkie!

"Madam!" spurts the former Covenant scientist again, "Ms. Ma'chello's Anoikis samples dazzle! No, they amaze!"

Stupendous!

[The pot-bellied Ealurian waves his stubby arms in the air. Bubbling cauldrons of microbial goo dance in projections.]

"Extremotrophs adapted to shattered worlds of ice and stone. Astounding!"

Stupendous!

"Stripped of protection, exposed to the harshest conditions and solar winds, forced to claw existence from clumps of alternatively floating and crushed glop - radiodurans, all. Oh, the secrets they tell! Why, the piezophiles of the ice world generate sustenance from pressure! Itself! Their sublime matrices compress and expand... lightning under glace! Oxygen from water! Nutrients from rotting metals ground into glacial flows. Once we have sufficiently explored the intricate natures of their assembly more fully, they should lay the foundations for our great tree's central nervous system quite well.

"And the autotrophs, how they nibble! I am certain, Madam, certain that - mixing the secrets of those alien landscapes with our work here in this sacred fortress - we shall fold the tritanium oxides and heavy metals right out of that great lake!"

Stupendous!

"Stupendous!" cheer the oiled lycanthropic Sebiestor underwear models.

Monday, March 25, 2013

The Roots of Frozen Tekojarvi

[CALDARI PRIME. Reluctantly, camera drones descend the eviscerated slopes of a barren island set amid broken ice. Beeping and meeping to one another through the desolation, they flutter above snow and exposed rock here and there, searching...

Searching.

Finding, they vibrate excitedly in place - and wait.

Temperate Command Center "LUOSTARI-JO GOGOMO," courtyard. Enormous dogs of ambiguous cybernetic pedigree howl. The pot-bellied Ealurian in crimson-lined cold-weather military gear, the crone all in fluffy black, and her cylindrical kameira crush across freshly fallen ice to a sled of weathered wood and woven rope.

With a wave of hand and a flick of bits, the crone launches the powerful dogs into motion. Barking excitedly at one another, they charge into driving sleet.

Down, down and around, they advance inexorably toward the frozen shore. The towering, gilded sheath of Loustari-Jo Gogomo, though gleaming, fades quickly into grey oblivion. As the sled draws near, the camera drones perk up, zoom about briefly, and chirp. The crone pets each of them in turn.]

Oh, you've found something, my lovelies!

[The cylindrical kameira pulls a heavy, circular metallic shovel-like tube from the sled, and approaches the spot identified by the drones. Carefully, he places the tube against the ice, and with slow determination crushes it down. Upon reaching an appropriate depth, he twists and shifts the metal, then withdraws it.

Returning to the sled, he extrudes a core of frozen muck.

Excitedly fastidious, the Ealurian darts gloved fingers through the sludge, separating decaying vegetation from more precious material. Hands on hips, the crone casts a disapproving glance at drifts of snow. Scooping some up in a palm, she manipulates it with one thumb.]

Oxidized tritanium dust! We won't produce a sufficient quantity of modified bacteria to isolate nearly enough before the partial melt. Redouble extraction of aquatic samples. We'll also want to improve our air filtration. The summer stench is going to be something else. How about the roots?

"Oh, yes, madam," chirps the Ealurian. "Wonderful, wonderful! I look forward to studying their cryogenic properties."

[The crone picks up a bulb.]

There's a lady I know, for whom all that glittered was once gold. Now, she tends her garden in a guarded cage. I wonder if she might have any interest in the roots of frozen Tekojarvi...

Sunday, March 24, 2013

Stabilizing Caldari Prime: Luostari-Jo Gogomo

[CALDARI PRIME. Camera drones race above the fractured and tumbled floes of great frozen Tekojarvi. The ghosts of Amsten and Etee wail on a cutting gale - a banshee's cry across plains of ice. Lights on the horizon, and the drones beep to one another almost in relief.

Temperate Command Center "LUOSTARI-JO GOGOMO." On a suitably high balcony of the gilded but otherwise functional structure, our dear crone stands almost indistinguishable in black, unnaturally fuzzy furs from head to toe. To her right in pristine white stands the diminutive and alien Other Rabbit; left, decked in crimson lined military cold weather gear, a pot-bellied Ealurian with fine spectacles brushes ice from his neatly trimmed mustache. Behind them all looms the silently cylindrical kameira, blotting out the walls of the command center with his formidable bulk.

Below on the tarmac, cadres of stoic employees wait patriotically in the cold for twelve long torso choir boys to finish the State anthem. At its conclusion, Deteis with immaculate and identical blond crew cuts lead units of co-workers through morning calisthenics, chanting "Go Go Go.. GO-GO-MO" in flawless unison.]

"The supply lines are unusually long, of course," observes the Ealurian after some time. "This consumes more power than may otherwise be necessary, limiting our total productive capacity."

As it must be, my dear Dr. Mheket, to extend our good fortune to as much of the troubled surface as possible! Bacteria, proteins, and biofuels - a humble but necessary beginning to a glorious journey of medical science!

"The characteristics of this planet are most intriguing," agrees the good Doctor. "Will the Brutor be delivering biomass from Aphi III? We will need it to begin on the viral agents necessary for our vaccination work. With so much die-off, disease presents a serious threat."

Never have so manky plankton given their all for such a good cause!

[The crone breathes in deeply.]

Oh, dear. I think I just froze my lungs. "Temperate" my, well, you get the picture.

"Yes, madam," agrees the cylindrical kameira.

Right then, everyone inside! Boys! Boys! This way. Warm one another up. Tea! Tea, please!

Romancing The Rod: Burnished Requiem

[CALDARI PRIME. A blonde Deteis in snappy dress the color of distant horizons walks briskly beside the crone through an imploded atrium. Mist filters from heights lost in grey oblivion.]

Ordinarily, I would have staged nine times as many boys for each Amarrati, but the numbers seemed as inappropriate to the task as they were to the circumstances. Twelve is much more intimate. My very best singers.

Such wonderfully long... torsos.

[The crone admires the reflection of her pressed gold body suit in a pool of brackish water. Camera drones skim through the atrium out to a basin of shattered infrastructure down to that sunless sea.

The ancient Ni-Kunni makes final preparations on the slopes, directing tall young men in sacred robes of rust-colored wool to crumbling blocks of different levels. Each group of four stands in a half arc around a disk of conspicuously cleared ground. They face the drifting mist beyond which Luminaire sinks lower in an unseen sky.

One beam of sunlight penetrates the vapors and bounces painfully off the old man's eyes, then another. Slowly, mist disengages the sky's dome; clouds break like thawing ice. With a quick snort, the Choir Master mutters that the young meteorologists will get to keep their left ********* after all. He starts back up the slope. Approaching the crone's cylindrical kameira, he whispers in the giant's ear; giant nods and witch gestures to clearing heavens.]

It's time!

[Rapidly appearing drop ships churn the dying fog and chew away late afternoon silence, to vanish as suddenly - snatched back by playful Ithaqua. After their passing, three tall wooden containers remain - attended by muscular eunuchs and a phalanx of cybernetic swordsman. With reverence, the eunuchs guide their floating boxes out of the atrium and down toward the sunless sea, each stopping at a cleared circle.

After light presses, front panels of each box shift in slightly, then open out. Moments pass, and like curious lion cubs, a small child emerges from each box. Boyish bangs bounce lightly in cold breezes; jacinth eyes sparkle. The imps explore their binding circles, and then don pristine robes of white and gold handed to them by deferential attendants. The eunuchs withdraw, taking their floating crates with them.

Above, cloud bellies glow dull orange and light pink. Everyone to their places. In unison, the boys and fey pucks pull forward their hoods and settle in to a standing trance. Thirteen Sebiestor in maxtlatl of fine white feathers and basalt mud race to assigned positions. With practiced synchronicity, they slam palms against chests, beating a Taiko rhythm with only flesh and bone. They conclude, and the first lycanthropic bunny boy emerges from obscuring shadow into spreading light.

Not a Sebiestor, but a tube baby come home, the gaunt, miniaturized Other Rabbit moves with great difficulty through the heaviness of the planet's well. His skin is pale, unnatural, almost ashen - and buried under layered white fur. It wraps around him like falling ribbon, up, up to a brilliant ushanka of snow dipped in gold.

Flanked by two Brutor in ceremonial dress, Other Rabbit moves somberly to the focus of the Choir Master's grand arc. Facing Luminaire's spreading burn, the porcelain figurine speaks hoarsely through an atrophied apparatus of natural voice. Beneath, behind, and around his words, a whisper builds:]

O Saamelaihenki!

These brave warriors, our foes and allies, now lay amongst your rock and alppikukka.

Cry out O Sammelaihenki!

Bear their souls aloft to the halls of their fathers.

Requiem aeternam dona ets, Domine

Bear their souls aloft! to their mothers' hearths.

Requiem aeternam dona ets, Domine

That they have given to you, now give to them.

Kyrie eleison.

Carry them home

Kyrie eleison.

and ask them to war

Sanctus. Sanctus, Sanctus,

no longer.

Osanna in excelsis.

[At the conclusion of Other Rabbit's words, the choir builds.

One Brutor steps forward, offering a lacquered tray of Ealorian grain. Weakly, Other Rabbit digs his fingers in and scatters grains on the wind. Hostias et preces, tibi, Domine. The first Brutor steps back and the second forward, bearing a wooden grail of sacred wine. Holding the goblet only with assistance, Other Rabbit pours its contents slowly over the suffering earth. He and the Brutor kneel.

Hostias et preces, tibi, Domine.

Silent to this point, the Amarrati at last begin to sing. Tempests rise within an intercostal vice, constricted by slender throats, slamming against bone and fragmenting through brilliant white teeth. Faces, placid and serene, betray none of the maelstrom below. Near the cherubim, the sound is like a milling saw, piercing and inhuman. It swells to fill the cratered space, and in reflection from the hardened surfaces - each bounce calculated by the ancient Ni-Kunni and his clapping - it returns as the Voice of God. Rising and falling, in places mellowed by the accompanying singers and a low rumble from the Sebiestor in their feathers and mud, in others, accelerated, it is a sound to carry souls of the dead into setting sun.

From their final peak, voices follow Luminaire's light down into a golden arc on the horizon. Precisely at the Choir Master's calculated moment of darkness, silence falls.

No one moves for many long moments. Reaching in to his furs, Other Rabbit produces a small namesake. As he sets the tiny creature down, it clearly weighs much more than nature would on her own allow; the fibers of its white coat permit no stain.

"Become the fear of fear itself, Carbuncle."

The small creature gives a knowing wink, and splashes into spreading night.]

Romancing The Rod: Scouting Party

[CALDARI PRIME. Camera drones race across a plateau of shattered rock and artificial ruin. Precipitation alternates between jagged wedges of ice and leaves of dirty grey slate. The small machines struggle under rime as they circumnavigate a fallen arcology. Scurrying through ruptured lesions in the fallen behemoth's ceramo-polymer skin, they dart down, down to a sunless sea.

Picking his way slowly along that body's shores, taking care not to disturb the fallen where they lay, an ancient Ni-Kunni claps his large, calloused hands repeatedly. More drones hum and zip to their proper places, assembling a finely nuanced image of the pitted cavern's acoustical characteristics.

In a tent high above, fresh-faced young meteorologists divine the atmospheric future of that inhospitable world.]

[Higher yet floats FEDERATION CUSTOMS TESTING FACILITIES, LUMINAIRE VII, MOON 1. The footsteps of a crone and her cylindrical kameira echo off the distant walls of a restricted pressurized hangar bay. Above, the sleek, unmarked hull of a Redeemer carves a silhouette from the station's illuminated shaft.]

Oh! How could I not love - adore! - a station built like this. These Gallente - such marvelous neurosis! Where have they been all my life? I suppose right here.... But can there be any doubt, I mean really, that they were influenced by depraved sadistic sodomites fleeing the collapse of ancient Araz?

[A lift descends from unpressurized regions. Moments pass, its doors slide back. An enormous, sealed black palanquin glides forward on floating coils, each side burned with the golden mon of Her Highness, the Dowager of Hilaban. The palanquin and dour cybernetic escort reach the crone and pause.]

The main event! The headline act! Three little birds with the Voice of God. Did you enjoy your trip, boys!

"We did!" cry the Amarrati in harmonious unison, eager footsteps falling here and there within their ominous artifact like boosted squirrels - barely more than twenty of the creatures in known space.

Ready for tubs and tubs of ice cream?

"We are!"

Excellent, sweeties!

Romancing The Rod: A Problem Arises

[CALDARI PRIME. Beneath a pitiless slate sky, camera drones race across a plateau of shattered rock and artificial ruin. The small machines deftly dodge embers between columns of acrid smoke as they press relentlessly into the heart of the storm. Beneath their hum, eviscerated bodies sink into the ignominy of futile war. Cresting a ridge, the drones swirl through ruined superstructures, down, down to a sunless, churning sea of waste and rainwater. Along its shores, Sebiestor underwear models in ripped boxer briefs affixed with bunny tails strike ineffectively at the desecrated earth with shiny mattocks. Appearing suddenly above them on an off-kilter terrace, a bent crone clings to the crooked arm of her towering cylindrical kameira for balance.]

Good news, everyone!

Do you remember that movie, you know, the one a while back, it was something like, oh, I'm not quite sure, I think it was... yes! Yes! That one: Blood Raiders of the Lost Temple of Death. That one. Do you remember the scene where the villains were digging in the wrong place? Oh! It's just the most amazing coincidence, Bunnies!

We're digging in the wrong place, too!

Tie an altar boy to the mantle and diddle him with a baster, would you believe it!? Not even just the wrong place, but the wrong planet - orbiting the wrong star! And more is the pity. Tibbus and his lads did such a wonderful job softening up the ground, here. Well, can't be helped - foot massages and warm oil tummy rubs for everyone!

Back to the ship! Fast march!

I love fast march.

Romancing The Rod: Initial Premise

Roughly six thousand years ago, Amash-Akura seized the throne of Dam-Torsad and embarked upon a series of conquests that would see him crowned First Emperor of Amarr. In the tenth year of His Imperial Majesty's reign, the skies went dark and angels descended from realms unknown. These brought gifts, and by gifts I do not mean taxes. Instead, they bestowed upon Amash-Akura the wisdom of Heaven, in the Crown Avetat; and, a fountain of ever-spurting youth, in the Rod Ametat.

Although I do not subscribe to the literal "angels" theory, if an advanced race parks its antediluvian titan over your capital, it cannot be discounted that they were directed in this undertaking by some higher power yet. Yes, yes, I'm aware of the pedestrian eclipse theory - trite silliness. An eclipse might have confused whatever "civilization" was crawling out of the mud on Pator, but come now. In any event, matters proceeded swimming for Amash-Akura, until they didn't.

That's how these things go.

There was a revolt, a plague or two, a Deceiver of some kind, Amash-Akura sent his guests away, and proceeded to win back his empire through personal determination. There was much rejoicing, until the Emperor died the next day. The Rod and Crown remained with the Imperial family for "centuries," but were eventually "lost" (how one misplaces immortality and the wisdom of Heaven, unknown at this time). The exact moment of their disappearance, also unknown.

About three thousand years later, my own bloodline began The Reclaiming. The Sani Sabik, or "Blood Fiends" first came into prominence around the same time. The Blood Fiends believed two things above all else: "savants" would rise to rule the multitudes; and, these "savants" would be immortal.

I redirect your attention, for a moment, back to the Crown (Wisdom) and Rod (Immortality).

The Takmahl were a breed of Templar associated with both the early Reclaiming and Sani Sabik sects. Still thousands of years ago, they left Amarr aboard cryo ships to settle the Araz constellation. There, within the span of a few hundred years, they developed cybernetic and bioengineering techniques far more sophisticated than anything left behind on Amarr at the time - as if guided toward immortality by an alien source of great wisdom. Parallel to Amash-Akura, however, calamity would overtake the Takmahl. Their civilization fell into ruin, picked over centuries later by Blood Raider birds of prey.

But did it end there?

As I mentioned previously, not only can one see the Mouth of God and gilded Amarr nebula from Araz, but so too does the Gallente nebula shine on a distant horizon. And by Gallente, I of course mean both Gallente and Caldari. As it happens, up until recently, the Caldari possessed a religious artifact known as the Creator's Rod. This was guarded by the Achura, which in turn leads me to:

The Takmahl secured the Avetat and Ametat during a time when they were trusted Templar, loyal to the Throne. Their study of the artifacts readjusted their spiritual priorities, turning them into eager, mystical proponents of a New World Order, in which of course, their savants ruled supreme and immortal. They moved too soon, however, and risked being destroyed by the sovereigns they once served. Badly outnumbered, the Takmahl leveraged a superior technological understanding gained from the Avetat to escape Amarr - using technology which manifested "immortality" in part as "cryo ships."

Power corrupts, and the Ametat and Avetat were powerful indeed.

Their civilization fell. Faced with collapse, desperate, some among the Takmahl once again took to space. One such group, carrying the Rod Ametat, reached Luminaire thousands of years ago and settled on what is now Caldari Prime. They took a name from the Emperor who first received their alien artifact: Akura. Having lived through two great falls, these mystics refused to repeat the mistakes of the past, and lived cut off from the outside world, guarding, but not abusing, the ancient relic - until the outside world forced itself upon them, and the relic was again lost.

Others fleeing the collapse of the Takmahl empire settled among the free spirits of what is now Gallente Prime, pampered by warm seas, and returned to the original function of their order: spiritual counselors to power, hidden even as the fangs of their more brutal descendantssank into surrounding spaces..

Was the crown Avetat also moved to Luminaire?

It is this question which draws me to the caverns of infrastructure beneath the Gallente's great cities - well, that and an endless legion of emaciated vagrant youths in desperate need of Mummy Noh's Mummy Dust! Who is a good boy!? That's right! You are! Now stick out your tongue and close your eyes, Mummy Noh will give you a big surprise!

Saturday, March 23, 2013

Tronhadar Jihad

The beast Tronhadar roared ten thousand years ago as she roars today, from the frozen teeth of Krusu down verdant cataracts of canopy and mist. In our present age, soulless machines bind her to their will. In ancient times, however, Jade Dragon carved granite and loam freely beneath light of Two Moons. The violence of that caprice drowned our supplicants in squalor or bathed them in great prosperity.

It was the time of our Virtue. Emerald-chasers built redoubts on Dragon’s Wings. There, the debris of a million years fanned across the valley floor shaded by a cavernous green. Krusual hunted stag in the trees with spear and brilliant light in the earth with trowel. Horn of ancient buck, hue of faceted gem, these served as loki to our people. We honored Tronhadar and she confided in us her mysteries.

When the Nefantar came to Dragon’s Mouth, they gathered alluvial stones for their huts and scavenged wood for their long ships. The insatiable tribe came to desire our loki for their noses and ears. We had learned much hunting in Jade Dragon’s embrace, and held them against the sea despite their great numbers. With Krusual in body and Nefantar in claws, we traded emeralds for fish and balanced tension prevailed.

But balance would not last.

In a pit of ancient silt, emerald-chasers struck metal buried in some antediluvian age. Deft hands cleared silt to reveal a misshapen cylinder. Twice the height of a man, it shone like gold but sounded harder than any metal known to that time. Confronted by its unfathomable purpose, the pit crew’s excitement turned to an uneasy dread.

They called upon one who Dreams with Earth. Elder Slumbering Owl laid hands upon the gilded carapace and fell still. For two days, he dreamed with that thing in the mud beneath the trees. When at last he awakened, the emerald-chasers knew his command. They abandoned the pit and dug a new channel from the river. Inexorably, the brilliant hues of that forbidden loki faded beneath heavy silt. Our people left the forest as it appeared in years before even they prowled those shaded banks.

At the time of their discovery, however, a Nefantar merchant was examining gemstones nearby for sale in his distant bazaars. The alien metal filled that man not with dread, but overwhelming covetousness. In the moments of initial chaos, he slipped away and arranged passage on a skiff, leaving his grandiose barge – laden with accumulated treasures – behind.

Familiar with our ways after so many years of trade, the merchant changed transport and direction many times returning to Dragon’s Mouth. There, the Nefantar Suzerain refused to act on words alone. The merchant countered that he offered more than mere words, however, for he would only have abandoned his wealth for a discovery of even greater value. The Suzerain considered that a while, and then ordered his mapmakers work with the merchant to locate Tronhadar’s forbidden totem. Though the trader had fled before Slumbering Owl descended into the pit, Nefantar long disdained our people’s desire to leave dark secrets undisturbed. Expecting we should bury the idol where it lay, they resolved to claim it when the time right.

The Nefantar had grown fat on the bounty of their merchant fleets. While prosperity amplified their greed, it did not make them reckless. The Suzerain understood he required allies for this enterprise. Across the sea, Starkmanir occasionally spoke of mysterious artifacts. That tribe did not consider them dark things, but catalysts for knowledge and power. Still under light of Two Moons, these vainglorious despots plotted to seize what none should possess.

They intended to lull us into complacency with outwardly benevolent cooperation. Nefantar ferried Starkmanir to Tronhadar’s coast in their galleons. Men who knew nothing about gemstones, metals, or woods joined merchant caravans. They called themselves wise, and took care to survey our valley and regale us with the virtues of its study. Predictably, the sight of Jade Dragon’s wonders stoked their greed. They lectured us on progress, that together we might exploit the abundance in our possession. Dreamers with Earth instructed us to aid them.

In this way, we came to know their desires – and what capabilities they possessed to realize those desires – as well as they. Some of our people professed to embrace the motivating greed of those ersatz benefactors. These collaborators revealed gem pits and stands of rare wood, slowly earning positions of confidence. The Nefantar and Starkmanir trained us in the use of their tools and application of their practices. Convinced their perceived superiority sprung from innate racial characteristics, thus beyond lesser tribes, the fools spoke casually around our people.

But the Krusual understood. We adapted.

Nefantar navies dominated the seas. From that, they preferred to fight at distance, hurling death with bows and large contraptions. The Starkmanir ruled an enormous landmass. Their cavalries and armored soldiers controlled enemies with coordination until heavy blades cut down all opposition. Together, these two considered themselves the military apex of our world.

In Tronhadar, we would deny them every advantage.

Their low estimation of our ingenuity sealed their fates. When Nefantar barges at last set upriver in numbers, we offered no resistance. In accordance with Starkmanir practices, they traveled many paths to mask threatening intent and obfuscate objectives. But their maps were our maps, and their hunger for the idol was long known to us.

We waited for them to pass.

When the last barge entered forest dark, we rose from silted waters and descended from the trees. On muddy banks, we raised bows of Nefantar design, fashioned with our mastery of wood and pitch. Decks burned and death raced through tight spaces. Our warriors armored themselves with only mud and determination, slashing with short blades from low stances. The Starkmanir could not don their armor in time, and fell screaming as we severed muscle and tendon in exposed legs. Chaos down river signaled attacks further up. Our narrow lines swarmed the invaders like the forest’s ferocious ants, and their buoyant fortresses burned.

Yet, it cannot be said the invaders lacked courage or skill.

Nefantar were accustomed to fighting on ships, while Starkmanir fielded Matar’s most disciplined military. Had we not disguised our capabilities for so long, our wave would have surely broken. Badly outnumbered, none of our boarding warriors survived. But neither did any of the lumbering vessels. Burning, beached, deprived of navigators and manpower, the armada returned to Jade Dragon’s breast. Of the enemy that reached shore, some few commanders coordinated a retreat through the trees. Those reaching Dragon’s Mouth numbered at most a quarter of their original force. The Krusual would not soon be underestimated again.

Though we drove the invaders back, Dreamers with Earth commanded that our people trade the darkness of valley floor for that of caverns deep. They knew the Nefantar would return with ruthless force to claim their gilded prize. Unwilling to wait on more Starkmanir, their Suzerain pulled catapults and trebuchets from his warships, and began to burn his way toward the artifact. We made no effort to slow that advance.

Our remaining warriors streamed southward along Krusu’s hidden paths.

Reaching the sea, we sacked Nefantar settlements along the coast all the way to Dragon’s Mouth. The walls of that fortress were high and we made no effort to scale them. Instead, we burned their farms as they had burned our forest. The Suzerain gained an idol; his people lost Dragon’s Mouth. Many fled to islands beyond our reach, but their lord would not escape the ultimate consequence of his avarice.

The artifact was too dangerous to move in ships of that time. Exceptionally dense, the risks of it shifting and capsizing any transport loomed large. The Nefantar secured it in their depopulated fortress while alchemists set to work on its mysteries. With only nonsensical devices, those primitives should by all reasonable expectations have accomplished nothing. However, as Slumbering Owl dreamed, the cursed artifact itself desired to communicate. Fisherman far out to sea perhaps glimpsed the first indications of its success as a colossal shadow rippled across our world. On the peaks of Krusu, we soon caught sight of the horror in our looking glasses. A grotesque thing, it tumbled slowly through clouds.

Like the rotting carcass of a gargantuan termite queen, the vessel disgorged a rain of larva as it moved. Thousands upon thousands of globules splashed down upon the waves. We prayed they held creatures as desiccated and lifeless as the behemoth that birthed them, but our expectations ran to the contrary. Clearly intending a more controlled encounter with our planet, and therefore not travelling at the speed of an errant meteor, the vessel nevertheless remained a flying mountain. When it hit the delta of Dragon’s Mouth, the shock of surf, mud, and shattered rock alone destroyed all signs of Nefantar settlement in the region. Then came the rest of the ship, breaking apart, welling with flame, exploding – hurling debris and inferno far and wide. What the Nefantar failed to burn in their advance perished to the consequence of that aggression. The cataclysm impeded Tronhadar’s flow, heavy toxins poisoned the earth, and invisible death lingered in the air. Jade Dragon’s deep greens remained orange and foul for many, many years. We would have descended into that decomposing maelstrom to hunt what larva might have lodged in our former home, but we saw only death and swirling decay from our icy peaks.

It was at sea where the new menace gathered, thousands upon thousands of globes – all within reach of the Nefantar. With an eye on future returns even in the face of present loss, that tribe scooped up the droppings. Inside each, like seeds in a pomegranate, the Nefantar found pale, frozen creatures densely packed. Many of the ancient support systems had long ago failed, but still an uncountable alien horde revived.

Those pitiful beings spent eternity frozen in a pristine environment only to awaken in a primitive society on a world with an active ecology. Pestilence claimed fully half almost immediately. But many tens upon tens of thousands survived. These were not the architects of the proto-titanic civilization that birthed them. They were common stock, the kind of beast relegated to transports prone to failure. Trapped on a savage world, any tools that might have bettered their lives lost to catastrophe, many fell into deep depression.

But the loquacious Nefantar saw potential profit in all things.

These feeble, moaning aliens presented opportunities beyond their burdens. Even before language barriers fell, the Nefantar showered their guests with writing utensils and urged them to record the past. Given the susceptibility of the aliens to disease, those notes – scribbled rapidly in a doomed language – would become a link to impossibly ancient times. When the imperative to survive evolved into a desire to prosper, the Nefantar began to realize returns on their investment. The newcomers called themselves Sebiestor, and possessed a perspective on technology other tribes could not then match. As the pace of innovation quickened through their influence, many across Matar grew removed from discomfort. Increasingly capable machines carried Man’s burdens for him, and the indolent called that progress.

In return for teaching Matar’s children how they might someday become desiccated larva in a doomed behemoth, the Sebiestor requested a land of their own. Reluctant to relinquish territory, the Nefantar pointed at unwelcoming Mikramurka. The inhospitable nature of that continent suited the Sebiestor tinkerers well. But for many, particularly our people, those forbidding wastes were a land of sacred trials. Krusual called to the shaman’s path would descend Krusu’s northern face seeking wood for a crossing kayak. Wrapping themselves as they had learned, initiates braved the frigid waters between Houdea and Mikramurka. From shore, they traveled north to the icy plateaus of Leng. There beneath merciless heavens, wendigo priests ruminated on a trial. My own test was that of the Twin Wolf. Survivors faced returning to Krusu greatly weakened, for there was little sanctuary in that frozen hell… until the Sebiestor brought their villages to its hot springs and frozen fjords.

We could not dislodge them. Nefantar controlled the seas and supplied their pets well. Eventually, the tinkerers tamed even Leng’s glacial skirt. So it went across all of Matar. Farmers forgot to farm, fishermen to fish, stonecutters to cut, thinkers to think. The time of Virtue fell to that of the Machine. We watched as men degenerated into larva rotting in the gut of a leviathan. But we struggled against that dissipation, some of us, even as the suffocating darkness grew absolute.

“Our struggle must not end!”

The old man lunged across the table. Despite youth and training, Elar Bh’uut could not react before a ferocious grip pierced the soft spots of her shoulder. Pain denied her any ability to move or speak. She had finished classified military training only a week ago, and to this point felt proud of her accomplishment. But now, an octogenarian’s iron fingers bruised the elite glow. Elar arrived in Hek’s Krusual Tribe facility only the day before to receive a new type of cybernetics. If she had them already….

With that thought, the old man’s story washed over her once more.

Elar had not originally wanted to listen. Her companion took his seat opposite her in that dive only after she’d settled down with her drink. Better to listen than retreat, she thought, though history had suffocated her for all of a nowhere life. Finally, she was going someplace. Finally, she would be free to make her own history! The old man spoke with great passion, igniting sparks of pride in her soul. Elar rejected those, intellectually.

Now was no time for tribal grudges.

Pain weakened her reservations. The old man’s forearm was horribly scarred and undeniably human. She had not received her implants. But would they have made a difference? There was more to his grip than strength. His eyes paralyzed her as surely as the pain. Neither terrifying nor unnatural, they were deep. Through them, Elar saw he was dying. Onlookers approached. She wanted to call out for help, yet the claw denied her. A nearby Brutor held up his hand, signaling others not to interfere.

No, no – the old man was dying! Help him!

When the ancient’s soul passed, his terrible grip did not diminish, though his eyes finally closed. Elar moved one arm, slowly, and then lost the will to break free. Why didn’t anyone help? A large hand covered hers gently.

“He made his choice,” the Brutor said. “What is yours?”

“I will return him to Jade Dragon,” she replied after a long silence.

Saturday, March 9, 2013

Failure To Assimilate The Matari: Now Is A Happy Time

Ssakaa wrote:

I doubt you'd have the time to penetrate the many layers of it, nor have the inclination.

I've apparently had more time and inclination to penetrate the layers than many Matari - haven't I, sweetie?

Ancient rivalries have burned behind the facade of Matari unity for many, many ages. It is the most interesting feature of your people; and, coincidentally, the feature the least interesting members of Matari society run from. But the act of claiming membership in one tribe is simultaneously the act of disavowing membership in any other. The Krusual Tribe shall have its day in the suns, and I commend you for trying to put the Sebiestor at ease... before you cut them open and eat their hearts. We Amarr understand these things.

However, I am not after the destruction of a tribe my ancestors have contended with across many, many ages.

I recognize that the Sebiestor have genuine gifts. Although they created a bifurcated economy in Matari society, claiming the professional track for themselves, we Amarr understand these things. We are a civilization of earned mobility - the only true meritocracy in New Eden.

There have been several solutions to our crucible of hardships, now.

Most "tribes" that face the heat become completely assimilated - footnotes in history. But a very few adapt and prosper. Khannid excellence with arms elevated that "tribe" to complete independence and honor. The unassuming Ni-Kunni have quietly built their place as Amarr's sprawling middle and upper middle classes. The scheming Udorians are so in tune with the nature of Imperial politics, they now stand but one Trial from the throne.

I am absolutely confident that, in a thousand years, the Sebiester too shall emerge from this crucible of merit, much changed, much better - for themselves, and the Empire.

I thank you for your part in it. In time, perhaps history shall thank you as well.

Failure To Assimilate The Matari: The Sebiestor

Dear Sebiestor sweeties, the complex emotions that swirl around a realization everyone hates you are only natural. We Amarr understand this. Peas in a pod, you might call the two of us. I know, I know, your people have such gifts, have accomplished so much, and... made sure everyone knows it. Indeed, the first thing every Matari child will recite about the Sebiestor is that they are the engineers of the very civilization.

How could there possibly be animosity?

It was the Sebiestor who rediscovered thrust (remaining quite good at it... who *is* Mummy's little boy? That's right, you are!); the Sebiestor built all of the Matari stations floating majestically through space.

I'm very fond of the elemental thrones, myself.

Now, some might say this constitutes clear evidence of pervasive discrimination. We know better, don't we? The Brutor simply have different gifts. Professional divergence merely represents proper application of specialized advantage.

We Amarr understand this.

Peas in a pod, you might call the two of us.

It won't be easy to adapt to your new role. First, denial: this animosity is pure fabrication by an Amarrian witch; the difficulties we are going through are nothing more than typical political tension; even the other tribes insist all is well. "I consider selling the Sebiestor into slavery every day - ha ha, just kidding!" The fact denials are even necessary of course is cause for some suspicion. Why, the bastards might actually be...

Anger: Damn right we built those stations, and we can take them down, too. What happens if I vent this atmospheric recirculation system into space? Twiddle this stabilizer? Those backstabbing vermin would scream as they fell into the gravity well - if only they had air in their lungs! Ha! Oh, why has it come to this!?

Despair: I only wanted to act in the name of goodness, justice, and ponies! Bartender! Another vodka smoothie, hold the smoothie! Oh, what's the use, maybe...

Yes, yes, my sweets, acceptance: we'll show those Udorians how its really done. In a thousand years, we'll have our own royal house *and* our own empress upon the throne!

Yes, yes, a thousand times yes!

Few understand the curse of being better than everyone and despised for it as do we Amarr. You simply belong with us - peas in a pod. The entire cluster realizes it, deep down - where things get interesting.

Failure To Assimilate The Matari: Further Pontifications

N'maro Makari wrote:

Now, the serious point, I would like to point out that the idea of a constituent tribe of the Republic selling another tribe or anyone for that matter into slavery, ventures beyond the wet-dreams of less... realistic slaveholders and into a realm beyond even the wildest socio-politcal theory.

Oh, *really*?

If in fact that is your grasp of slavery's history, then I am not the one living in la-la land and you, sir, need to read a book. Perhaps two. In reality, down through the ages, collaborators have been a primary vector for acquiring slaves among native populations and transporting said to ports where big ships come and pick them up.

So who might collaborate in contemporary Matari society?

Even a cursory examination of available materials quickly reveals an answer:

The Vherokior have been under-represented throughout Matari history. Isardsund Urbrald sought to address this by transferring power to the tribes and away from the central government. He was opposed in that effort by... the Sebiestor.

It is the Sebiestor who have historically dominated Matari society, lording their tinkerer skills over the other tribes. Naturally, the crafty little devils like the idea of a strong central government - one which they have traditionally dominated.

But wait! The Brutor are the rising stars of Republic life, and they see the present age as "their time." Oh, dear. That puts them in direct conflict with... the Sebiestor.

Meanwhile, the Krusual - who share the ingenious traits of the Sebiestor but have instead been demonized for them - harbor the least favorable opinion of their tinkering rivals among the lot.

Now, is there a common thread? Oh, look at that! It's that nobody actually likes the Sebiestor.

Add to this the economic difficulties which confront the entire Republic, and denials that some tribes might seriously consider jettisoning the least popular among them have a brassy, hollow ring.

Failure To Assimilate The Matari: Additional Thoughts

Ava Starfire wrote:

Gosakumori Noh wrote:

"Let's just take the Sebiestor off everyone's hands and call it even.

We bite. Viciously.

I believe I mentioned that!

Moreover, it's rather the point. Let's face it, the Brutor and Vherokior trust the Sebiestor about as much as they trust a Serpentis toxicologist to cure the common cold without harvesting the patient's organs.

Indeed, the entire cluster would be better off if the Sebiestor went the Udorian route. Such a transaction would improve the Republic's balance of trade while reducing the surplus pool of labor currently depressing her wages. We call that "win-win!" But how to do it? I'm thinking a Cartel front company (posing as a Gallente professional services management firm) buys up the Sebiestor and relocates... or wait, even better, a matriculation center for "freed" slaves...

Well now, isn't that a pleasant surprise?

Gar-sewn! Another smoothie!

Who *is* a good boy!? Oh yes you are!

Failure To Assimilate The Matari: First Impressions

So I've been sucking down vodka banana smoothies on the terrace of Atalantikiyo's here on Hilaban... what number is this, sweetie? Planet? The planet's number? You know, it's under the gate... to... you know... somewhere else.

Well anyway, I've been sucking down vodka banana smoothies in this gloriously overwhelming afternoon sun, three of my favorite boys curled up on the tiles around my feet - I just love running my toes up and down the bumps on their inhumanely long slender abdomens...

Why hello, Duchess! What a stupendous concoction of haberdasher mastercraftery rests upon thy regal noggin!

Bumps, smoothies... yes, while sucking down vodka and reading the wire, that discussion on "Tests of Faith" caught my attention (given that I so adore both). Now, whether or not this or that blood addled madman on this or that throne represents a "test of faith," a "sign," or (as is more likely the case) "business as usual" - the Empire's failure to assimilate these *adorable* creatures (now sweetie, you know he bites when you pinch those ) certainly qualifies as dropping more than a few ordained balls.

Behave!

The Ni-Kunni, the Udorians, the Khannid, the Parthinians, the Mohikans, the Kilts and the Kumquats, you name it, going back centuries into longer stretches of time, time and again, efficient Amarrian social integration flawlessly expanded the size and diversity of our Empire, repeatedly. Then, not that terribly long ago - at the height of its relative technological superiority - said Empire could not manage to assimilate three societies which had collectively gotten about as far as attaching an internal combustion engine to a buggy and calling it a powered wagon.

Although Jovian meddling certainly tossed the mother of all monkeys at that wench... wrench at these monkeys...

Gar-sewn! Another smoothie!

Right, although the Jove (may they rot in their vacuous graves) played foil to God's project plan, it wasn't really *all* them, now, was it, sweeties? Somewhere around my seventh smoothie... and I've completely lost track how many tummy bumps - kitchy kitchy kitchy koo koo!

Somewhere around then, it hit me.

It is the humble man who knows his place before God, and so it is humble Humility who rules the Virtues.

Trying to assimilate three substantially different beast tribes all at once - without vanquishing their respective primal aspects in turn - was not humble and led to catastrophic failure. Really, I should have seen this from the holos hidden away by Great Auntie Kali up in the monastery attic. Only two members of my extended clan have ventured into space, at least for any extended period of time, and we couldn't have been more different, Great Auntie Kali and me. She was a vicious, conniving, cruel dominatrix with a taste for bare bottoms and... so we couldn't have been more alike, Great Auntie and me.

Though she did not participate in the original seizure of Pitter-Pa'tor, after swimming in one of the lakes that you're not really supposed to swim in, she informed the family that the Lady of that Lake had demanded Auntie take to the stars. So off she went to Patagonia. She made nice with a Vharsoothian clan that offered to show her where Sebiestor were hiding in muddy holes - nothing changes, does it, sweeties? Who *is* a good boy!?

Well, there you have it. Had the Empire contented itself to assimilate one feral tribe at a time, matters would have proceeded as smoothly as a Versoopial teen's curving back. I therefore submit that rather than trying to re-assimilate the whole bloody lot of them, we just pick *one* of the Matari tribes to tango with at a time.

Gar-sewn! A tango!

The example of success would then surely facilitate swirling with the other two. But which to pick first?

Mummy has her favorite, doesn't she, sweetie boo-boo-moogie-woogie-woogies

Wednesday, August 17, 2011

Arek'Jaalan: Electric Sheep Production Update

Production continues apace on several components of the Electric Sheep project.


Planetary Materials

Our colony on Aphi IV is producing many materials envisioned as relevant to creation of infomorphic sheep. We also seek to glean insight into the history of the Takmahl from this temperate world, located in the same system as the Labyrinth. Although we have yet to discover substantial ruins, let alone technological relics, it stands to reason that the ancient sect made some use of Aphi IV. Project components produced so far include:

Nano-Factories: 13
Wetware Mainframes: 28
Robotics: 9
Biotechnology Reports: 114
Synthetic Synapses: 285
Gel Matrix Biopaste: 33
Transcranial Micro Controllers: 132


Takmahl Technology

The Takmahl were not known for infomorphism. However, their expertise in biotechnology and cybernetics applies to scanning and interface controls necessary to support infomorphism. At this time, the following materials have been recovered from the Museum Arcana in Zimse:

Takmahl Dynamic Gauge: 3
Takmahl Phrenic Appendix: 1
Takmahl Cohere Cord: 6
Takmahl Diamond Rod: 3
Takmahl Solid Mox: 1
Takmahl Ritual Texts: 2
Takmahl Binary Texts: 12
Takmahl Fractal Sheets: 12


Sleeper Tech

Sleeper Civilization of course serves as the inspiration for this project, and developed substantial expertise in both infomorphism and virtual reality. Although we have made numerous forays into Sleeper space, most have been in covert ships tasked with documenting the civilization's architecture. However, the following items have been recovered:

Sleeper Neural Network Analyzer: 8
Sleeper Data Library: 4


Blood Raider Technology

The Covenant descends from Amarr and Takmahl traditions, and the Raiders prosecute aggressive "farming" of organic entities (such as humans). Their scientists are naturally known for the expertise in breeding programs. Five have been acquired from Raider laboratories in Munory. Other materials of note include high technology treatises; and, the peculiar "bug ridden corpse" - an application of highly invasive cybernetics.

Although sheep do not represent typical targets of Blood Raider experimentation, introduction of cybernetics into living organisms overlaps with our objectives. Of course, our success criteria depend upon being able to compare the original animal with successive infomorphs, and so we must necessarily apply our cybernetics in a manner minimally disruptive to the psychological health of the target.

Scientists: 5

Classic Doctrine: 1
Formation Layout: 1
Sacred Manifesto: 1
Bug Ridden Corpse: 2


Other Technology

Some other high technology items recovered may provide inside into circuitry to support infomorphism. These include:

RAM Electronics: 2
RAM Robotics: 1
RAM Weapon Tech: 1


Datacores

While datacores are traditionally used in the production of military equipment, principles and processes contained within may provide insight into applications of relevant disciplines to our present purpose. Currently, we have engaged three research agents, spread across Viziam and Ishukone; we intend to add a forth shortly.

Pertinent datacores produced so far include:

Amarrian Starship Engineering: 31 (relevant domain: neural interfacing)
Mechanical Engineering: 54 (relevant domain: robotics)
Nanite Engineering: 8 (relevant domain: nanite scans; brain refabrication)

Active Researchers:

Bikan Uanen (Molecular; Viziam)
Gatan Falboudih (Nanite; Viziam)
Poirmavas Isoya (Electronic; Ishukone)

Tuesday, August 16, 2011

Arek'Jaalan: The Tech 2 Cow

After taking notice of Project Electric Sheep, fellow Arek'Jaalan contributor Valarie Valate directed me to the work of Anneka Tong, who sometime ago developed a cybernetic cow. Given the clear parallels with my "infomorphic sheep," I contacted Ms. Tong, and she kindly responded with several details of her venture.

One element in her response struck me in particular.

Rather than present the cow's mind with imaging of its actual environment, or a fanciful virtual one, she opted to translate reality into imagery the cow would "understand." In place of asteroids, the creature saw fields of grass. Actions the cow would then take to move and eat became signals to the mining barge's motion and laser controls.

Such an environmental translation would apply well in an infomorphic setting. One can imagine ships crewed by infomorphic "animals," manipulating controls through execution of their natural physical activities. Falcons might gather intelligence; hounds might give chase. Many animals - dolphins, ravens, octopi - demonstrate remarkable capacity for learning and problem solving. Infomorphic projections of such creatures might circumvent difficult problems with artificial intelligence. It may even be that rogue and Sleeper drones derive some of their cognition in part from such a technique.

Thursday, August 11, 2011

Arek'Jaalan: Project Electric Sheep

Introduction

Many researchers postulate Sleeper civilization included "infomorphic entities." Although the nature of such entities has not been conclusively established, we tentatively envision them as previously human organisms which transferred brain functions to artificial media. Current cloning technology makes use of such media to move a totality of brain functions between clones, which can be considered an application of infomorphism. However, such transfers appear to leverage artificial media for only relatively brief periods.

We therefore propose to study sustained infomorphism.

In this context, "sustained" shall mean brain functions persist on artificial media, without degradation, for arbitrary periods of time. We mean to explore both passive and active infomorphism. Passive infomorphism shall encompass the storage, transfer, and replication of brain functions as static files. Active infomorphism shall encompass conscious interaction with environmental objects, both virtual and real.

Many risks preclude human subjects, and so we propose to use livestock - in this case, the durable high plains Athran Karakul. They're just so fluffy. While such animals may not exhibit the same cognitive functioning as humans (though this is arguable...), the highly adaptable creatures do process information, and their behavior can be compared with a base state. As research advances, progressively more capable organisms may become desirable infomorphic platforms.

Experiment Overview

Because we wish to compare subjects before and after infomorphic translation to ensure degradation does not occur between episodes, flash scans that destroy the central nervous system are not helpful. Moreover, they're just so fluffy.

Consequently, we shall instead infuse the target central nervous systems with nanite markers. These will measure biochemical activity, transmitting data along neural weaves to nodes communicating with external sensors. Modeling software will store data recovered from these sensors. A second nanite family will be programmed to read marker information, and to use such data to reconstruct nervous systems through gel matrix pastes, synthetic synapses, and cloned organic material.

In this way, we will realize mind transfer between clones of Athran Karakul without harm to the original animals. With a basic demonstration in place, it then becomes possible to explore applications such as multiple conscious instances of the same animal; and, extended states of infomorphism, both active and passive. Finally, aggressive techniques might explore adaptation of an animal's central nervous system to control of advanced robotics.

Research Aims

For static infomorphism, there will be no modeled neural interaction. Static infomorphic data will be subjected to transfer and duplication to establish the robustness of organisms moving between infomorphic and organic states; and, to establish multiple organic instances of identical brain function. Successful static infomorphism requires that, upon being "written back" to an organic nervous system, each instance of the organism express voluntary and involuntary responses within accepted deviations from behavior observed prior to infomorphic translation.

By demonstrating static infomorphism, we will show how an infomorphic entity could "survive" in an spore-like state as long as its storage remained undamaged.

In contrast, active infomorphs (and capsuleers) depend upon an industrial apparatus that is significantly more complex than "just" storage for their "immortality." Furthermore, active infomorphs and capsuleers are more vulnerable to environmental threats, such as mutation and infection, as well as the oppressive boredom of passing centuries. Of course, static infomorphs are vulnerable to the destruction or degradation their media. However, less complex constructs present fewer failure points than more complex ones, and static infomorphism would represent an attractive way to "sleep" away thousands of years.

For active infomorphism, software modeling will simulate brain functions. Success requires cognitive functioning at levels within acceptable deviations from the original mind. Furthermore, the karakul must not develop psychological illness while in an infomorphic state, such as depression, paranoia, or psychosis (at least to the extent animal psychology can identify such conditions; at the very least, organic brain functions can be compared on an electrochemical level). When "written back" to an organic nervous system, the active infomorph must exhibit complete involuntary process recovery, and must exhibit cognitive functions consistent with its prior state plus learning gained while infomorphic. Active infomorphs should also demonstrate the ability to adapt brain functions to variations in biological and artificial host structures.

If active infomorphs maintain brain function without degradation or illness, many applications arise - including agelessness, advanced industrial control, and recovery from catastrophic injury or disease.

Methodology

Establish livestock cohorts in a controlled planetary environment.

Develop non-destructive nanite-based neural scanning mechanism.

Develop modeling applications to store nanite scan data.

Develop reconstructor nanites to constitute stored neural data in organic matrix.

Develop organic matrix of biopaste and sythentic synapses to reconstruct nervous system.

Data Assessment

Train cohorts to respond to distinguishable stimuli.

Scan karakul central nervous systems using nanite markers.

Store scanned nervous systems on diverse media.

Clone original animals with substitute matrix-based nervous systems.

Apply neural reconstructors to substitute matrix.

Test clone responsiveness against previously trained stimuli.

Observe and document animal physiology and psychology.

Some Relevant Materials

Gel-Matrix Biopaste (Oxides, Biocells, Superconductors)
Oxides (Oxidizing Compound, Oxygen)
Oxidizing Compound (Reactive Gas)
Superconductors (Plasmoids, Water)
Biocells (Biofuels, Precious Metals)

Synthetic Synapses (Supertensile Plastics, Test Cultures)
Supertensile Plastics (Oxygen, Biomass)
Test Cultures (Bacteria, Water)

Biotech Research Reports (Nanites, Livestock, Construction Blocks)
Nanites (Bacteria, Reactive Metal)
Livestock (Proteins, Biofuels)
Construction Blocks (Reactive Metals, Toxic Metals)

Hazmat Detection Systems(Polytextiles, Viral Agent, Transmitter)
Polytextiles (Biofuels, Industrial Fibers)
Viral Agent (Bacteria, Biomass)
Transmitter (Plasmoids, Chiral Structures)

Nano Factories (Industrial Explosives, Ukomi Superconductors)
Industrial Explosives (Fertilizer, Polytextiles)
Ukomi Superconductors (Synthetic Oil, Superconductors)

Wetware Mainframes (Supercomputers, Biotech Research Reports, Cryoprotectant Solution)
Supercomputers (Water-Cooled CPU, Coolant, Consumer Electronics)
Biotech Research Reports (see above)
Cyroprotectant Solution (Fertilizer, Test Cultures, Synthetic Oil)

Time Frame

Because of the need to monitor behavior of animal cohorts for extended periods to ascertain impact of infomorphic translation, research will necessarily stretch months or years into the foreseeable future.

Current Status

Several planetary colonies are now producing relevant materials. Over a dozen nano factories (to produce necessary marker and re-constructor nanites) have been developed, as has a parallel array of 28 wetware mainframes (to store infomorphic data and perform neural modeling). Roughly a hundred biotechnical research reports detailing characteristics of initial cohort responsiveness to nanite marker have been generated.

We are in the process of amassing more livestock, increasing reserves of biopaste and synthetic synapses, and fabricating precautionary hazardous material detectors.

No infomorphic translations have yet been attempted.

Wednesday, May 25, 2011

Lupe Sebiestor - Part IV

The Hotel Lux-Tarantor anchored one of Crystal Boulevard’s terminus points, fusing every cultural meme in the galaxy into a towering wedding cake of beams, arches and domes. Because her decorative arts conveyed inclusion so extravagantly, Quafe booked the edifice to host persons of interest during each capitol performance. Sebastain Ecce, the corporation’s chief marketing officer, stepped crisply through vaulted salons at the summit. Glitterati buzzed congratulations as he passed. The “Winds of Change” Tour was his brainchild. Earlier stops in Caldari and Matari space continued to resonate. What would Amarr bring? Ecce smiled over his unvoiced concerns: what, indeed?

Watching from streets, balconies, and catwalks embracing the Boulevard was on one level even better than being aboard the liner: not as exclusive, but the audiovisual stimulation could not be matched. Cyclopean structures and atmospheric projectors waited upon Producer General’s command to unleash the most advanced immersive experience imaginable. Moments from curtain, Ecce migrated with his luminous guests toward the soaring windows. Staring into the Boulevard’s gullet, even the jaded anthropologist felt pangs of anticipation. “My privilege and honor to present,” Saroux’s distant voice intoned, “Lady Ghiselle Arghelos.”

Painted in flashes of light and swaths of darkness, amplified by lossless speaker rigs that eschewed all distortion, Sophia’s Requiem soared over a sultry night’s metropolis. If perhaps indifferent to Amarr’s superstitions, fashionable youth certainly appreciated the tectonic force of that choral thundering – gloriously accentuated by Producer General’s abstractions of charging, luminescent stallions. The power of the soprano’s voice did not require an understanding of the ancient words sung; and miles tall, her Amarratti veil transformed into titanic leviathans. At such scale, Sevat’s mandalas traced labyrinths of streaked henna. Ecce dictated a cybernetic memo: he wanted mandalas on models by morning. As Ghiselle’s exhortation of the divine built to its climax, Etienne Saroux drew a solar eclipse on the horizon with the bewildering brushes at his disposal. Confronted by a vocal cascade from a hole in the sky, the assembled millions questioned their previous indifference: if there was a God and that God had a voice, it certainly sounded like this. Light faded; the mob contemplated.

“It’s said,” Ecce observed wryly, “all Amarr wants from music is to listen for God in darkness.”

After several minutes, Luminaire’s stirring quiet shattered abruptly beneath the heavy feet of Qaim Bok. The gargantuan Brutor beamed his expansive smile, laughed his booming roar, and set the stage on fire. Dressed in brassy plates from head to foot, the giant and his dancers interpreted lost hymns as Imperial fleet formations. His audience, transfixed through the first act, remembered how to dance. Faster and faster, stronger and stronger, Bok pushed them to the edge of stamina and chased his cast from the stage. As flames died, he ended with his own telling of the Twin Wolves. Echoing the requiem’s crescendo, Bok maintained a howl on his voluminous lungs, leaving the city Moon to replace eclipsed Sun.

Moonlight suited Zan Mareiyaa.

The wizened Achura pulled an antique bow across his stringed contraption – members of his precise quintet following in turn – and a chill tickled the humid night. Mareiyaa sang in sonic greys, the sound of an ink painting. Lights softened to blue and rust. The audience visualized frozen seas and wind through ancient trees. This was the land of the Twin Wolves on another world, where the snow leopard stalked perpetual twilight as mountain queen. Most consistent of the “Four Winds” in his approach, Mareiyaa inspired awe through a voice like advancing glaciers and inhuman mastery over his instrument. His technique confused minds into seeing what they heard. He did not end with voices falling from the sky or Fenrir’s cry, but the sound of an owl gliding over snow.

Three stunning performances, and accolades directed at Ecce by his guests reached fevered pitch. Who but the Wizard of Brand could have anticipated everything progressing so well? Politely excusing himself from the peak, Ecce took advantage of a long intermission before the finale to descend toward the street. He wanted to feel how much trouble they were in. Already, neural links hummed with conjecture from pundits: that editor had a point way back when, didn’t he? Charming and talented as the pop star might be, Babelle did not belong on the same stage as these three. The best “Quafe’s Boy” could do now was to avoid mistakes and prepare for a triumphant home opening.

But there were rumors the idol planned a “surprise,” weren’t there? Ecce understood that completely containing Babelle’s intentions would have been impossible. At least discipline held to “rumor.” How would it turn out? The Wizard of Brand lived in odds, and odds told him Babelle would stumble in front of the universe. Ecce and his team would then work feverishly for redemption above Luminaire: classic formula, triumph of the underdog, etc. – like they planned it.

Still, failure hurt.

In the thick of the crowd, Ecce felt dawning apprehension. Gallente’s prideful revelers understood the charismatic celebrity representing them was seventeen. Yes, the boy was an accomplished dancer of extreme physical attractiveness. But he could not match what they had just seen. The crowd further understood this meant the Federation was about to be embarrassed by a concert only it made possible. The others would never have tried. The Tour was meant to unite, and unite the others would… in mocking Federal culture.

“And finally,” rumbled Saroux’s magnificent Gallente voice, “Javierre Babelle.”

Projections focused initially on red mist, then fell to a muscular arm stretching to a hand twirling scissor-like knives: “hell cicadas.” Attached to a central ring, the blades faced one another and could spin about quickly, producing a harsh sound as they rubbed. Useless in combat, the weapon served as a totem for ritualistic torture popular with Raider Covenants. Gasps preceded a quickening thrill – and dread. To open Red and Gold, D’har Mec snapped two cicadas like grim castanets. But popular as the story’s adaptations were in the Federation, few considered it “high art.” This could end badly. The projections retreated to fully reveal Babelle – drenched in crimson and wrapped in his little vine. The screaming started then. The star’s ardent fans surged to press hands against any surface touched by his image. Ecce considered such displays unhealthy and demeaning, but relaxed somewhat. The mob had been shown a vision of paradise, and that it seemed would be enough for them.

“That’s one question answered,” clucked a Gallente pundit smugly. “The young gentleman does not stuff his pants after all.”

Ecce brushed Federation commentators from his mind. The crowd’s reaction was enough. What did the others think? Matari sounded bemused. Caldari held their opinions. A.C.N. cut to a distinguished Ni-Kunni choreographer. Did he have something to do with this? “Only a small part,” the man insisted. Perran Soif emerged and the crowds went insane. If anyone could pull this off, it was her! Layered in diamonds and gold, the actress struck a pose. Spectacular costumes accounted for half the role’s great difficulty. Because Babelle’s strongest talent fell in dance, the production stuck to a strict interpretation of Amarr’s royal ballet – no singing required. The severe posture and precise motions of that style, however, created a death trap for outsiders. They frequently fell into parody; or, to avoid that, remained timid. No one doubted Babelle’s skill in “street trickery” could meet the technical challenge, but few believed the teenager could restrain an urge to camp it up.

The Blood Dance progressed as challenge and answer in Flamenco Torsad. Manipulating the cicadas came easily to Babelle’s dexterity. As he slashed, mist exploded to symbolize a torturous strike against some hanging victim. However, blades were not Mec’s primary weapon against the princess. He communicated lethality through muscle tone, shifting the tension beneath his skin: strong, quick and focused. It was an advanced technique Ghiselle recognized as second nature in Bunnibal. Babelle learned quickly, and almost possessed a body to match. Slash stomp kick, other dancers fell to spinning blades as he circled Naboahe, grazing her with lethal tips.

The princess had none of his threats, however, and pounded her own seductive rhythm. Behind him like a cloak, she held Mec’s arms with her hands to still the blades, pulled down onto his chest, and lower. Along Crystal Boulevard, the jet turbine of adoration screamed into higher revolutions. Saroux played the crowd, shifting cameras around the idol to taunt with quick visions of all they could desire – and then away. How the faithful howled! Ecce retreated to the Lux-Tarantor. There would be no need for an underdog’s redemption. Babelle would simply triumph.

The boy did make mistakes. With each, Soif grabbed a tender spot, and in that same gesture revitalized her costar and focused the crowd elsewhere: look what I have! Finally, A.C.N. wondered aloud if the Ni-Kunni monopoly on Mec was in danger. Not yet, their choreographer demurred. Yes, Babelle performed well; but Perran Soif was a woman possessed. Perhaps Ghiselle Arghelos had actually trained her replacement. Watching from sidelines, the diva smiled. She had not obsoleted herself, but furthered the art – and tied a second interstellar superstar to her House.

The ballet blurred through conquests to a final dance. Cardinal Tezzan’s fleet had pinned the lovers in a forsaken pocket of Querious. On a haunting set, they waltzed together with apparitions of their legion victims, brushing each with liquid sensuality. Having been dominated by Naboahe to this point, the time had come for Mec to turn the tables. For that, Babelle leveraged his physical experience with the Lupe, pressing Soif with such insistent subtlety that light years away, adoring multitudes melted imagining the touch. One hand behind firmly, fingers gentle against her forehead, Mec dropped into a tender kiss. On Luminaire, the screaming faded into whimpering, frozen silence. Cardinal Tezzan’s brilliant fusillade commended the sinners to Hell – and Javierre Babelle to history. At last the ancient choreographer conceded: his people’s monopoly on Mec had ended in a Gallente teenager. “But,” the man smiled, “only through the relentless will of two uniquely gifted women.”

But the Federation saw only triumph – and in relief, was happy to share.

Tuesday, May 3, 2011

Lupe Sebiestor - Part III

The “Four Winds” set course for Amarr and Javierre Babelle became a fixture in Ghiselle’s breakfast nook. The young star wanted to emulate her Pator surprise, to shake expectations – break the box! But the risk unnerved him. For Amarr, his staff planned a magnificent ball with waltzes, tangos and fox trots. It would sizzle with chic fun. Everyone would clap and the critics would write pleasing reviews of a good time had by all. Babelle did not want to fail those who put so much into making him a star by falling on his service mark.

Did that mean he should stay in the box?

Ghiselle insisted they spend the rest of the morning watching “Red and Gold.” The story of the Sani Sabik D’har Mec and Princess Naboahe had ruled Amarr’s musical stage for centuries. At the play’s outset, Mec ambushed Naboahe’s transport, murdered her crew one by one, and showered in their blood. Naboahe used that time to seduce her captor and turn him against political rivals. Through awkward, savage moments, love conquered both. Fleeing past obligations, they set off for distant stars. Pursued by raider and imperialist alike, the young couple ultimately crashed headlong into Fate aboard a battleship “drenched in the souls of its countless victims.” They would reunite in Hell, plotting conquest of that infernal domain.

Though initially conceived as a morality tale exhorting duty over heart, the intervening ages had swung audience sympathies to the lovers. Scandalous costumes, graphic sexual acrobatics, spectacular sets and three sword dances fused with Amarr’s ferocious demand for vocal excellence to make “Red and Gold” one of the most daunting productions in space. Soon after discovering it, the Gallente giddily reinvented its story year after year. From impeccable staged presentations to late night screenings where teenagers licked raspberry sorbet from one another’s nipples to assert their wickedness, demand for “enigmatic vampires” on Luminaire outpaced that of even Dam-Torsad’s insatiable glitterati. However, while Gallentean debauchery and masterful choreography rarely disappointed, Amarrians remained dismissive of superficial emotionality. Sin and heresy were not fashion statements to that people. Sure as God’s wrath, if characters were heretical sinners, they damn well better mean it. Bright as he was attractive, Babelle caught Ghiselle’s drift: take ownership of “Red and Gold.”

Immediately, his staff felt under siege. They begged Rengal to intervene: why would Lady Arghelos put such a notion into a teenager’s head!? Of course Babelle should tackle Mec – in five years! His voice still sounded too cute, those giant baby blues detracted from his menace, he oozed softness, no one could fab viable sets or costumes in a few weeks – and they certainly would not use hand-me-downs for such an important event! Genuinely hurt, some to the point of tears, they demanded to know what the pop star had done to deserve such scheming.

Rengal felt sympathy for their position and raised it with Ghiselle. The boy was very young for such a “mature” part. The role demanded unique male leads. While Ghiselle ruled as one of the most accomplished Naboahes in Amarr, the family’s men always went for supporting roles. Mec typically served as springboard for rising Ni-Kunni prodigies. The chemistry of rage, duty and artistry unique to that culture built the emotional maelstrom required for the role. Babelle was a spoiled Gallentean teenage pop dancer, not an oppressed, conflicted….

“Roll a pampered Gallente with one of our Lupes long enough and his duck quacks.”

“Curious” expressions invariably meant Ghiselle had a plan.

“Ghi Ghi,” Rengal sighed, “we can’t all see through the fog as you can.”

“Let’s bring everyone together, then.”

Bunnibal occupied Babelle while old people huddled. Though Ghiselle’s gravity soothed the Gallente, they remained fearful. Quafe invested heavily in the tour. No one would appreciate a blunder. Ghiselle placed her own reputation at stake as well, however, and insisted Arghelos would deliver costumes and sets of sufficient merit: no “hand me downs.” How could they be ready in time? Slave labor. There was no budget. Ghiselle would cover the cost, on condition she get the costumes back. Babelle’s staff harbored reservations about labor conditions and subject matter. But they understood “their boy” had outgrown easy obedience. If they refused him, anger would jeopardize the rest of the tour. Moreover, if Babelle delivered a Mec acceptable to Amarr, his celebrity would transcend. No better partner for than Ghiselle Arghelos existed for making that happen – even given the soprano’s manipulations.

What was her game?

Several Arghelos Family directors received the game icily. Annual “Red and Gold” productions served as primary vehicles for new fashion lines. They did not want to compete with an event of this visibility, let alone with their own designs. Javierre Babelle would become a vehicle to surpass all others, Ghiselle responded. Sevat smiled at that, and Ghiselle knew her brother saw through to the plan’s culmination. But he was a genius. Others pressed: cozying up to that teen would alienate traditional clients. They stood to gain more clients than they lost, and furthermore, Ghiselle’s final intentions for the tour would outstrip any animosity generated by a pop star. “Traditionalist” anger would focus on her, and cement the family’s status as a bridge between cultural monoliths.

“A dangerous political calculation,” Marquessa Algheros sighed.

“Mother….”

“You will say we have failed to walk the Boulevard because of our infant stride. When the dust settles from all this, we will face a difficult recalibration. I agree, however, that new growth demands new tactics. Sevat….”

“I’ve already started.”

While thirty floors of craftsmen began round the clock execution on Sevat’s vision, Babelle’s team looked for a suitable Gallente Naboahe. Intaki film legend Perran Soif, a raven-haired beauty twice Babelle’s age, had built her enormous following in large part on portrayals of the iconic princess. But would such an established actress take the risk? She leapt at it voraciously. After Quafe engineered her release from existing contractual obligations, Soif warped to the “Four Winds.” Choreography began upon her arrival.

Beyond a newly vested interest in Babelle’s success, however, Ghiselle faced pressures of her own. She was to open in Amarr and there would be no painting outside the lines this time. Her choice of material was characteristically “unusual” – but grounded in ancient tradition. Predating the unification of Athra, Sophia Kaliarestrani murdered not a single relation more than required to become matron of her House – an ancestral tributary to the present monarch’s tribe. Even early in her rule, “legend” maintained no natural birth had produced Sophia. Rather, she clawed into the family from subterranean hells settlers retreated to after the Collapse. A body of ghoulish cybernetics supported this, as did the inhuman genius Sophia leveraged to carve a path of carnage through history. In contrast to tyrants skilled at only destruction, Kaliarestrani’s rampages unerringly preserved individuals of subsequent advantage to her.

In modern times, the Tomb of Hagia Sophia slumbered far from Dam-Torsad’s burning horizon. A conch shell two kilometers wide and nearly as tall – black, bloody and golden – the magnificent cathedral spun fantasies of unrivaled horror and beauty. Contemporary engineering could not explain its construction. “Legend” again provided its own answer: after seven hundred slaves placed her sarcophagus on a great slab, the tomb pulled itself from the earth to encase mummified tendrils of Sophia’s mechanical body. These tales further insisted her ravenous intellect still twirled in the webs of that cyclopean crypt, intent on a terrible vengeance. The sect dedicated to this relic toiled unceasingly to appease her. Forgotten by the outside world, only a few scholars knew of their rituals. Recognized by the duchess as “useful” millennia ago, Arghelos nobility numbered among those few. In honor of that past, and the present sovereign, Ghiselle would sing the Requiem of Hagia Sophia.

Traditionally, a legion choir of three thousand performed the piece on anniversaries of Sophia’s “death,” shrouded in the shadows of her mausoleum and unheard by the world at large. Few would recognize its notes, the tour did not coincide with Sophia’s “passing,” and the masterpiece contained no clear vocal solo. All this qualified Ghiselle’s selection as curious. However, in contrast to Pator, the soprano’s staff saw these drawbacks as opportunities for a unique performance, even without the unprecedented approval of her request for an Amarratti from each royal house.

While the lanky Lupe Sebiestor sauntered as public luxuries for Amarr’s tres riche, the elfin Amarratti sparkled in private as treasures permitted only to royalty. In a process of secrecy and expense doused liberally with dubious morality, Ni-Kunni zygotes were gelded and minutely engineered to produce the finest voices imaginable. Considered likely to create normative frictions with champions of liberty across the galaxy, their existence was unofficially “need to know.” While Tash-Murkon stood out, rarely did a house keep more than a handful. Perpetually child-like, Amarratti retained pristine voices for decades, performed only before royal blood – in the somber redoubts of noble chapels – and were never recorded. To present five in one of the most public concert tours ever mounted, and further to preserve that performance for yet more commoners to see, raised eyebrows – and in some quarters, hostility. The Empress had given her consent, however, and artistic directors for the other royals felt “creatively titillated” by Ghiselle’s proposition.

Days from the concert, the Amarratti arrived under cover of artificial darkness, tucked inside a hovering metallic palanquin guided by a towering Valkyrie in biomechanical plate – the royal crest brilliant on her chest. The procession made its way to Ghiselle by deserted freight corridors. Although the soprano had retrieved her staff from exile, only Bunnibal waited with her to receive these guests. When the contraption settled, its lone escort removed her helmet to reveal the cybernetic face of a heavy metal kameira.

“Lady Ghiselle Arghelos,” the formidable woman’s mechanical voice hummed.

Ghiselle inclined her head in acknowledgement.

“Kameira Baroness Hrelta Kes, Her Majesty’s Secret Service. Lupe Sebiestor?”

“This is Bunnibal.”

“The first I have encountered,” she nodded. “I will let them out.”

If the Lupe was a domesticated wolf, lanky and awkward in its lethality, the Amarratti were a cheetah’s litter – clearly unnatural, but with a different flavor of menace. They appeared adolescent, though well into their twenties; and moving, retained a wide-eyed childish wonder – mixed with adult calculation. Everyone in the room possessed inhuman gifts, and they measured one another.

“Ghi Ghi,” cried the Amarratti!

As one of a handful of singers who could perform with the alien “boys,” Ghiselle knew them all and they cherished her company. That greeting done, Bunnibal and the Amarratti circled, warily. Amarratti were sexually inert. How would the Lupe’s arsenal play out? Their senses were preternatural. His angles and smells “interested” them, and his raw strength elicited glee. Trying to catch one, however, Bunnibal discovered those slight, athletic bodies moved quickly. The chase spun into frenzy interspersed with feigned boredom. There would be no victor. That satisfied Ghiselle enormously.

The Amarratti remained secluded in Ghiselle’s quarters for the duration. Only Piehtor, of noble blood, was permitted to work with them. Each “boy” required but a cursory pass through his lines, bouncing beneath Ghiselle’s raised arms squeaking as they filled in the gaps. More giant boxes arrived from Amarr: costumes and sets for Babelle. The star’s “garment” was a golden rope braided with crimson velvet – so as not to rub. Wrapping from left foot up to right hand over few parts in between, “the bloody vine” drew attention far more than it obscured. Soif screamed with delight at the site of it.

“My dear,” whispered Ghiselle to the actress during a moment of isolation, “for success, you must screw the boy’s courage to his sticking post.”

Shortly before curtain, Ghiselle’s brother furiously painted Mandala Vestments on each Amarratti. The ancient technique’s fleeting nature served as its primary appeal, and few illustrators could apply ink to skin quickly enough to prevent even ordinary perspiration from washing away the designs. Amarratti wore such mandalas rarely, usually no more than two of them in a performance, and only Sevat’s skill allowed him to cover five head to toe with enough time to last into – if not through – Sophia’s Requiem. As colors exploded across flawless complexions, those assembled to assist the genius instead fell under his spell: magical, inhuman – guided by the hand of God. The sound of brushes and involuntary giggles in perfect pitch became a concert unto itself.

Ghiselle walked onto stage alone, opalescent gown gleaming against a backdrop of black velvet. From one end of her empire to another, vast public spaces dimmed as she melted onto screens, walls, and even the air itself. Her people fell quiet. For Caldari, she sang of love; for Minmatar, joy. Foreign critics often complained the Amarr wanted nothing more from concerts than to sit in darkness with closed eyes waiting for the voice of God. Her people expected faith. Sophia’s requiem began as a deathly whisper, Ghiselle’s voice flowing through impossibly soft registers without wavering. The orchestra grew. Many imperials looked at neighbors, puzzled, having expected one of the famous ecclesiastical masterpieces. Translucent images of Hagia Sophia’s grand choral legion sketched across the blackness as subtle ghosts. Only a handful of cathedrals could afford such choirs, but very few recognized this one.

The first Amarratti walked from blackness to stand beside Ghiselle. Aboard the “Four Winds,” the crowd murmured. Abroad, questioning voices stammered more loudly. Of all outlets covering the tour, only a curmudgeon at ACN recognized the creature: “unprecedented!” Ghiselle, the orchestra, and distant choir fell silent. The boy began to sing. Could such a body really produce that sound? The physical effort demanded by perfection showed beneath painted skin. Remaining Amarratti emerged one by one. As the orchestra, Ghiselle, and the choir returned, the blackness lifted slowly. Amarr’s blinding sun flooded the chamber. Music rose and fell. Only after the light dimmed noticeably did the crowd begin to understand what was to transpire. As Mandalas streamed down torsos and thighs to accumulate in vibrant abstraction on legs, Athra’s shadow traveled behind the singers, their voices loud and soft, rising to God and falling toward Man. Still unsure of the composition’s identity, Amarr’s billions nevertheless clutched one another, weeping at satisfaction beyond all expectation. Some had heard Sophia’s choir before, others one or two Amarratti, many Ghiselle – but no one had heard them all at once.

Pressed by the perfection of her companions, Ghiselle felt her way to new heights. She demanded this excellence not to impress the audience before or the endless billions without, but the goddess in her tomb. Ghiselle believed the legends, and wanted the Hagia Sophia’s approval. That ancient tyrant’s grace meant the soprano would be avenged. The final commendation to God roared to its crescendo. Ghiselle, Amarratti, and three thousand remote voices sustained their final glorious note and the “Four Winds” pilot guided his ship into full eclipse. Amarr’s corona flared as a cosmic halo. Yes, it was there: the voice of God.

Silence before the thunderbolt; as a unit, Ghiselle and the Amarratti turned to their left and bent at the waist into formal bows. The audience followed the line of submission. An elegant woman stood slowly and lifted her veil. Ignoring gasps around her, she clasped her hands beyond her chest and, smiling with eyes closed, nodded. Her majesty, the empress, impossible scattered voices exclaimed. After an appropriate time, Ghiselle turned her attention to the rest of her audience and the galaxy.

Having pleased the present, she prayed silently that she had also pleased the past.